You may not be familiar with a beaver sejant erect proper blowing upon a hunting horn in silver with a big deer in the mix. You may not recall the origins of Thomson Reuters (TR) as a seller of radios in Ontario, Canada. You may not remember the shift from newspapers to professional publishing. That’s not a surprise. Most people do not know the names of the hundreds of specialty titles generated by the “slicing and dicing” of Thomson Reuters’ professional content. Some may be aware that Thomson Reuters is undergoing another transformation or a return to its roots.
Reiner Fuellmich is getting that support from the thousands of lawyers worldwide to bring the Covid19 scandal set up in Davos to the tribunal.
Reiner Fuellmich is the lawyer who succeeded in co-convicting the car giant Volkswagen because of its modified catalytic converters. And it is the same lawyer who succeeded in condemning Deutsche Bank as a criminal enterprise. Deutsche Bank agreed to pay more than $130 million to resolve/buy off the case because of foreign corruption practices and fraud cases.
In the mid-1990s, a series of exposés featured on the London Independent and elsewhere brought a dark secret to light.
Many were startled by the revelation that the entire evolution of 20th century modern art was directed in large measure by the CIA! This not only included the direct financing of abstract painters like Jackson Pollock and Mark Rothko, whose works now regularly sell for over $100 million apiece, but also powerful literary magazines like Salon and Encounter, interpretive dance schools, and the remarkably ugly a-tonal music of Arnold Schoenberg.