
For those who have not seen. Most of us have significant experience with the Huey. In my case, my takeoffs exceed by a considerable number my landings in the airframe. Some of us know Ranger Nightengale personally. Some of us have been involved in emergency landings or other aircraft mishaps. Some of us owe something, perhaps a lot, to a pilot or aircrew.
The Sound that Binds
by Keith Nightingale
SWJ Blog Post | October 5, 2012 – 8:12pm
Unique to all that served in Vietnam is the UH1H helicopter. It was both devil and angel and it served as both extremely well. Whether a LRRP, US or RVN soldier or civilian, whether, NVA, VC, Allied or civilian, it provided a sound and sense that lives with us all today. It is the one sound that immediately clears the clouds of time and freshens the forgotten images within our mind. It will be the sound track of our last moments on earth. It was a simple machine-a single engine, a single blade and four man crew-yet like the Model T, it transformed us all and performed tasks the engineers and designers never imagined. For soldiers, it was the worst and best of friends but it was the one binding material in a tapestry of a war of many pieces.
The smell was always hot, filled with diesel fumes, sharp drafts accentuated by gritty sand, laterite and anxious vibrations. It always held the spell of the unknown and the anxiety of learning what was next and what might be. It was an unavoidable magnet for the heavily laden soldier who donkey-trotted to its squat shaking shape through the haze and blast of dirt, stepped on the OD skid, turned and dropped his ruck on the cool aluminum deck. Reaching inside with his rifle or machine gun, a soldier would grasp a floor ring with a finger as an extra precaution of physics for those moments when the now airborne bird would break into a sharp turn revealing all ground or all sky to the helpless riders all very mindful of the impeding weight on their backs. The relentless weight of the ruck combined with the stress of varying motion caused fingers and floor rings to bind almost as one. Constant was the vibration, smell of hydraulic fluid, flashes of visionary images and the occasional burst of a ground-fed odor-rotting fish, dank swampy heat, cordite or simply the continuous sinuous currents of Vietnam’s weather-cold and driven mist in the Northern monsoon or the wall of heated humidity in the southern dry season. Blotting it out and shading the effect was the constant sound of the single rotating blade as it ate a piece of the air, struggling to overcome the momentary physics of the weather.
Continue reading “Marcus Aurelius: Ode to the Chopper Pilots”

